I’m lucky to live within walking distance of both Tate Britain and Tate Modern. Neither is a short walk – about 40 minutes to Tate Britain and closer to an hour to Tate Modern – but if the weather is fine it’s great to combine mild exercise with some culture, and along the way take in the ever-changing Thames riverfront.
The Sunday before last we walked to Tate Britain to see the Queer British Art exhibition. I enjoyed this show a lot, and found it both moving and uplifting. It’s a mix of art and sociological history, telling an important story of the gradual and often painfully won changes that have led to a greater valuing and acceptance of different gender identities and sexualities. The curators don’t claim the exhibition is comprehensive – much queer art has been lost or destroyed – but part of an ongoing conversation to recover previously hidden artworks and life stories of queer British artists.
As far as the art itself is concerned, I was particularly drawn to the semi-abstract paintings of Keith Vaughan, a new discovery for me. The show is on until 1st October, so I’m hoping to visit again.
Then on Thursday afternoon, we sauntered in the heat to Tate Modern, and feasted our eyes on the stunning work of Fahrelnissa Zeid. I’d never heard of her before, and the exhibition is a revelation. She was a major 20th century artist, whose work draws on a number of traditions, including Western, Islamic and Byzantine art. Her life was nearly as colourful and kaleidoscopic as her art, spanning most of the last century, with periods spent in Istanbul (where she was born into an Ottoman family), Berlin in the 1930s, London, Paris and finally Amman in Jordan, where she taught painting to young women and encouraged their involvement in art.
She painted huge abstract canvases that pulsate with colour and energy. Towards the end of her life she moved away from abstraction to paint a series of very striking portraits. I love an exhibition which gives me goosebumps and makes me smile – this show did that in spades. I will definitely be returning, more than once, before it finishes on 8th October.
Time then for a debrief and refreshing drink on the southside roof terrace of the members’ room, before wandering slowly back to Battersea along the riverfront.